Chidananda Roopa Shivoham Shivoham
Nirvana Shatakam, also known as Atma Shatakam, is a composition consisting of six shlokas (and hence the name Sat-ka to mean six-fold) written by Adi Shankara, summarizing the basic spiritual teachings of Advaita Vedanta, or the Hindu teachings of nondualism. This hymn is considered as synonymous with the path of brahmacharya.Adi Shankara was a theologian and philosopher from India who centralized the doctrine of non-dualism, Advaita Vedanta.The speaker of the poem is nominally Lord Shiva, but it is commonly seen as a statement by a knowing person of identity with Brahman or Lord Shiva. It was written around 788-820 CE.It is said that when Adi Shankara was a young boy of 8 years and wandering near River Narmada, seeking to find his spiritual teacher, he encountered the seer Gaudapada who asked him, „Who are you?”.
Adi Shankara replied with these stanzas, which are known as „Atma Satkam” or „Nirvaṇa Satkam”. This chant is held at great value for the progress in meditative practices that lead to Self-Realization. Nirvana Shatakam (or Atma Shatakam) Chidananda Rupa Shivoham Shivoham complete lyrics with translation in English: Shloka 1mano buddhi ahankara chittani naahamna cha shrotravjihve na cha ghraana netrena cha vyoma bhumir na tejo na vaayuhuchidananda rupah shivo’ham shivo’ham.I am not the mind, the ego, the intellect or the memory,I am not the ears, the skin, the nose or the eyes,I am not space, not earth, not fire, water or wind,I am indeed, That eternal knowing and bliss, love and pure consciousness,I am the eternal Lord Shiva. Shloka 2na cha prana sangyo na vai pancha vayuhu. Na va sapta dhatur na va pancha koshahna vak pani-padam na chopastha payuchidananda rupah shivo’ham shivo’ham.I am not the breath, nor the five elements,I am not matter, nor the five sheaths of consciousnessNor am I the speech, the hands, or the feet,I am indeed, That eternal knowing and bliss, love and pure consciousness,I am the eternal Lord Shiva.
Shloka 3na me dvesha ragau na me lobha mohauna me vai mado naiva matsarya bhavahana dharmo na chartho na kamo na mokshahachidananda rupah shivo’ham shivo’ham.There is no like or dislike in me, no greed or delusion,I know not pride or jealousy,I have no duty, no desire for wealth, lust or liberation,I am indeed, That eternal knowing and bliss, love and pure consciousness,I am the eternal Lord Shiva. Shloka 4na punyam na papam na saukhyam na duhkhamna mantro na tirtham na veda na yajnahaham bhojanam naiva bhojyam na bhoktachidananda rupah shivo’ham shivo’ham.No virtue or vice, no pleasure or pain,I need no mantras, no scriptures, no pilgrimage or rituals,I am not the experienced, nor the experience itself,I am indeed, That eternal knowing and bliss, love and pure consciousness,I am the eternal Lord Shiva. Shloka 5na me mrtyu shanka na mejati bhedahapita naiva me naiva mataa na janmahana bandhur na mitram gurur naiva shishyahachidananda rupah shivo’ham shivo’ham.I have no caste, no fear of death or creed,I have no father, no mother, for I was never born,I am not a relative, nor a friend, nor a teacher nor a student.
I am indeed, That eternal knowing and bliss, love and pure consciousness,I am the eternal Lord Shiva. Shloka 6aham nirvikalpo nirakara rupovibhut vatcha sarvatra sarvendriyanamna cha sangatham naiva muktir na meyahachidananda rupah shivo’ham shivo’ham.I am devoid of duality, my form is formlessness,I exist everywhere, pervading all senses,I am neither attached, neither free nor captive,I am indeed, That eternal knowing and bliss, love and pure consciousness,I am the eternal Lord Shiva.Listen to more sacred hymns on insightstate, such as:, or.Image source – pixabay.comSharing is caring!
Lead me to reality, lead me to the light, lead me to blisssays the ancient Sanskrit text, with an adaptation of De Profundis (Psalm 130).Asato Maa Sad GamayaTamaso Maa Jyotir GamayaMrityor Maa Amritam GamayaOut of the depths I cry to you Oh Lord,Lord hear my voiceLet your ears be attentiveTo the voice of my pleadingI place all my trust in you my GodAll my hope is in your mercyIf you Oh Lord should mark our sinsLord who would survive?But with you is found forgivenessTherefore we beseech you. Is a further definition of the seeker’s dream—to find love, to find the divine in real form beyond an abstract idea.
Na Ma Shi Va Ya, which correspond to air, water, fire, ether, and space—five elements that make up all matter. Continuous repetition of this mantra is said to purify the elements in and around us and free the light within. The song is set to a 10-beat rhythm cycle, Jhap Taal.Vande Shambhum Umapathi Sura GurumVande Jagat KaranamVande Pannaga Bhooshana MrigaDharamVande Pashunaam pathimVande Soorya Shashanka Vahni NayanamVande Mukunda PriyamVande Bhaktha Janaashrayamcha VaradamVande Shivam Shankaram (3)Om Namashivaya Om NamashivayaAll my fears destroy—Om NamashivayaPierce my veil of sadness;free me from all madnessAll my fears destroy—Om NamashivayaCrush my hate, my anger;envy, greed, no longerAll my fears destroy—Om NamashivayaCut the ropes that bind me.Shine the light. Remind meAll my fears destroy—Om Namashivaya. A prayer extolling the many virtues of the mother goddess and asking for grace – Namosthuthe – I salute you. Om Na Mo Na Ra Ya Na Ya—these eight syllables are said to harmonize the energies in one’s body. I offer all to you, my thoughts, words, and actions.
Solo artists include Romero Lubambo on the guitar, Martin Bejerano on the piano, and Jamey Haddad on the drums.Kayena Vacha ManasendriyairvaBuddhyatmanavat Prakrite SwabhavatKaromiyadyat Sakalam ParasmaiNarayanayeti SamarpayamiI place all my trust in you, my GodAll my hope is in your mercyMy spirit’s longing to be freeLord shine the lightMy quest is more but I can’t seeTherefore I beseech you. The Sanskrit chants express reverence for the teacher who lights your path to Shivoham. The Gayatri Mantra says, “May the light inside me shine as bright as a billion suns”. The Sanskrit extract from the Nirvana Shatkam of the 8th century AD says, “I have no form. I am everywhere. I am unbounded.
I am Shivoham”. Two profound sayings from ancient texts – Aham Bramhasmi – I am the universal spirit; and Tat Twam Asi, Soham—I am THAT, light and bliss.Feeling the love for humanityMy path is peace and harmony, all in unityI honor God in you and me, my divinityThe universal spirit lives inside of meBramha Vishnu Shiva—I greet God in many waysI feel God in this creation, I see God in every faceMoksha’s liberation, choose your path to be freeBut I respect and honor all. God bless you and meSarveshaam Swastir Bhavatu Sarveshaam Shantir BhavatuSarveshaam Poornam Bhavatu Sarveshaam Mangalam BhavatuSarve Bhavantu Sukinaha Sarve Santu NiramayahSarve Bhadrani Paschyanti Maa Kaschit Dhukh Bhag BhavetMy roots so very ancient, older than the seaBeen here before, will be again for eternityI am a part of everyone. You all belong to meI am the universal spirit.The world’s my family.We are the universal spirit.We are one family.Poormnamadhah PoornamidhamPoornath PoornmudhachyatePoornath Poorna MudhachyatePoornameva VashsisyateHari Om Shanthi Hari Om Shanthi. An ancient Vedic chant is sung as a hymn with a concluding mantra saluting and honoring all the elements. My Dearest Fellow Travelers,I am thrilled, grateful, and somewhat intimidated to present SHIVOHAM – THE QUEST, a musical expression of my intensely personal journey over the last 20 years.We are all seeking something. We call it love, happiness, success, peace.
I am no exception. In early 2000, my longing for something “beyond” became more and more intense.
I was a major participant in the world of global finance and business, with all the trappings of success. Yet, I was tormented by life’s bigger questions – “What is enough?” “Why am I here?” “What is success?” “What makes me happy?” “What if I wake up one day and find I have spent my time all wrong, and now it is too late?” I had to find my answers.In the early stages of this complicated journey, I turned to what I have relied on since childhood: prayer.
Chidananda Roopah Shivoham Shivoham
Throughout my life, I have visited temples and churches, observed fasts, practiced rituals, bargained with “God.” I was an equal opportunity devotee: scores of Sanskrit chants melded naturally with the Lord’s Prayer! Why don’t “You” show me the way? My pleas were multi- faceted.I took up music again – I realized the happiest moments of my life had to do with it. I searched high and low for extraordinary masters and begged them to teach me – and for most of them the payment could only be in a lifetime of devotion to their honored musical traditions. I would schedule classes at 6 a.m. – leaving my home at 3:30 a.m. To be back in time to meet my other commitments.
From them, I learnt hundreds of devotional poems, which required exacting classical training; I sang 10 – 12 hours a day, losing myself, placing undue demands on my voice. I had no goal in mind – I was simply desperate to stay in that place of light that music took me to.My initial albums Soul Mantra, Soul Call, and Soul March were fruits of these chants and musical prayers. I did not want to sing someone else’s words, as I had so much music pouring out of me.
My job was just to download and share what I was hearing in the universe. Soul Call was born at 3 a.m. In the midst of deep sleep. I was compelled to rush out of bed to do a scratch recording of music that was playing – somewhere.
Chidananda Roopa Meaning
The album garnered thousands of fans that wrote movingly about how it changed their lives and it was nominated for a Grammy in 2011.I lived, breathed, and existed to find the truth – but I did not even know what it looked like. Meditations with Gurus, Buddhist Insight and Metta meditations, structured silence retreats from 2 to 10 days at a time – I did them all.
There were priests, rabbis, gurus, healers from all religions and nations. I met Shamans in New Mexico and Arizona, Paes and Maes de Santos in the deepest parts of Brazil, psychics in Australia, Chinese mediums who came to look for me in NY. I slowly grasped the similarities in their message and their own unique approach of conveying it.As I deepened my practice and ventured inside myself, I could actually have lucid conversations with my higher self. More fragments of songs were created during such conversations.
Chidananda Rupa Shivoham Shivoham
The ancient mystics were surely talking about my pain, expressing their “Song of Yearning.” Psalms from my convent school spoke to me in the same way the Shanti Mantra did in “Song of the Seeker.” I heard “Song of Blessings” in the plains of Texas on my sixth day of silence in a meditation retreat, but could not write it down (we were not allowed any devices – even pen and paper – for 10 days).In one silence spell, I felt the complete dissolution of my body. I viscerally grasped that our bodies are but casings for a short period of time, but you have to really quiet down to understand it. Wondrous things happen when you do. I am the unbounded, universal Self – hence “Song of the Spirit.”.
Abbey Road StudioNo amount of science could prove it to me like one experience could.An encounter with a teacher so iridescent and loving beyond description, clarified for me that light beings, more evolved than I am, return to the Earth with many forms and faces to help us find our paths. “Song of the Teacher” told that story.It felt natural to intersperse 6000-year-old Sanskrit prayers with new and old verses in English.